January 2019 

Kielce: Kielce Dance Theatre’s – “From Behind My Eyes”, choreographed by Izabela Zawadzka, Karolina Garbacik, Małgorzata Ziółkowska

2 February 2018 | 18:00 | Kielce: Kielce Dance Theatre, Plac Moniuszki 2B.

The Kielce Dance Theatre is pleased to invite everyone to the premiere of a three-part piece From Behind My Eyes, choreographed by Karolina Garbacik, Izabela Zawadzka, and Małgorzata Ziółkowska. The piece is comprised of three different stories presenting different takes on reality and different ways of interpretation of human relations.

Poznań: Janusz Orlik – “Mute” - Premiere

2 February 2018 | 19:00 | Poznań: Studio Słodownia 3, Old Brewery, u. Półwiejska 42. | Premiere

a state of constant fear, uncertainty, threat, needs and exclusion ... surrounded by events we are trying to make sense of, and by people we are no longer able to communicate with ... exhausted by being physically, emotionally and mentally provoked ... a world in which actions speak louder than words and words are no longer heard ... where we are not willing to see and are afraid to look.

Warsaw/Teatr Wielki – Polish National Opera: Polish National Ballet’s “The Taming of the Shrew” – chor. John Cranko

2 February 2018 - 3 February 2018 | 19:00 | Teatr Wielki – Polish National Opera | Warsaw

Humorous and graceful, William Shakespeare’s The Taming of the Shrew received a worthy treatment from British choreographer John Cranko (1927-1973). Created in 1969 for the Stuttgart Ballet, the piece is commonly hailed as one of the top 20th century choreographic comedies and a milestone in the world’s ballet canon.


The piece draws from the brilliant story of the rebellious Catherine, avoided by all those around her but for the contrary Petrucchio. It is only his perverse stubbornness that helps tame the shrew. The ballet also features a vast collection of characters based on Italian commedia dell’arte, who add to the trials and tribulations of the main characters. Cranko was a master of characterization, and his characters were beloved by audiences and dancers alike, as they create an opportunity for outstanding stage performances. Viewers witness Catherine’s metamorphosis from a dauntless nag to Petrucchio’s humble wife. He, in turn, is able to put on a display of manly cleverness, sense of humour and dancing bravado. Having proven themselves as audience favourites worldwide, the two characters will now take to the stage at the Teatr Wielki – Polish National Opera in what promises to be a colourful and charming family comedy.


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